A blog by Bill Hess

Running Dog Publications

Support Logbook
Search
Index - by category
Blog Index
The journal that this archive was targeting has been deleted. Please update your configuration.
Navigation

Entries in Sujitha (24)

Tuesday
Apr172012

Return to India, Part 7-A: A three-snack outing as mother and daughter shop for Suji's wedding

Sujitha, the bride-to-be and her mother, Bhanu, out on the streets of Bangalore as they shop for the upcoming wedding.

First, they stop at a tailor shop where one of the outfits Suji will wear during her wedding is being custom measured and fit just for her.

As she waits for the tailors, Suji and her mother look at more clothing being sold on the outside of the shop.

Snack break, #1:

After the she picks up the outfit, Suji knows her mother and Uncle Bill need a sweet snack. So she takes us to a nearby shop and orders one.

She feeds a bit of the snack to her mom. It was sweet to max - fruity, and juicy.

Then they shop for the bride and groom dolls that will stand on the wedding platform with Sujitha and Manoj as they get married.

They stop at a shop filled with the religious implements of Hindu faith. In addition to things like dolls, there will be many items on the wedding platform with them - many types of fruit, oil lamps, rice - many things. They will need small platforms upon which to perch many of these items.

Bhanu, inside the store so well stocked with representations of the Gods of her faith.

They will need a portrait of Lakshmi, the Goddess of Wealth and Prosperity for both spiritual and material matters. In my upcoming coverage of the wedding, the use of the Lakshmi portrait will become clear.

 

 

 

 

 

 

 

Snack Break, #2: Suji buys a banana for each of us. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

After our snack, we pass by a stairway enclave where where a young artist applies henna to a young woman. Two mornings from now, Suji will get her henna. Yes, it will be in this blog.

A fabric seller beckons Bhanu and Suji into his shop.

They went in, selected fabric they liked, and bought it.

 

 

 

 

 

 

 

 

A portrait of Manoj looks up from Suji's pocket book as she pays for some of the items she will take to her wedding. Manoj waits for his bride in his hometown of Pune.

In one shop we visited, Suji picked out an outfit for the small daughter of some close friends who now live in California. 

Then she began to look at these suits, sized for baby boys. "There must be a little boy, too," I speculated. "Yes," Suji said. "There is a little boy. His name is Lynxton." And so I wound up bringing an India Indian suit home for my youngest Navajo-Apache Indian grandson.

She spent quite a bit of time examining bangles before she picked out the ones she wanted.

When I was a boy, Mom would take me shopping with her whenever she bought clothing or fabric. It was total misery. As I grew, clothing shopping with women remained total misery - even with Margie. The sales people were mostly all women - a man here and there, perhaps, but mostly women - women selling women's clothes to women.

In my three trips to India, each of which took me into clothing stores, I do not recall seeing a single clothing saleswoman - not for women's clothing or men's, either. All the clerks have been men. This seems unfair to me - both to the women who could be doing the sales but even more unfair to the poor men who are.

That said, I truly enjoyed myself on this shopping trip - because I had a camera in hand. When a person such as me holds a camera, nothing is boring. Everything is interesting. Suji and Bhanu made it all the more so.

I had a blast shooting Suji's wedding shopping spree.

I could have filled this entire post with pictures of Suji and Bhanu looking for just the right necklace for suji to wear at her wedding. She looked at many, but none were right. "I had always thought Soundu would be here to help me," she lamented. Soundarya had a highly-honed sense of style. Picking out just the right necklace would have been easy with Soundu along, Suji mused.

In the end, none suited her, so we left with no necklace. We would wait until the next evening, then Suji would try again - this time with her cousin, Kruthika, who will star with her in part 7-B. I will finish 7-B before I go to bed, then time it to post some time in the early morning hours.*

Snack #3:

Before we left for home, Suji treated us all to juice freshly squeezed at this juice bar.

We hailed an auto-ric and climbed inside. We put our heads together so that I could get a portrait of the three of us. Then we went home.

 

* It is now 12:50 AM Wednesday and I have finished 7-B, but I feel like I need to leave 7A up a little longer, so I will wait until late morning or early afternoon to post it.

 

 

 

Series index:

India series, part 1: With a little help from the Indian Air Force, I begin my India series without actually beginning it
Return to India, Part 2: Pain beneath the fan, a sprawling tree, monkey on a string; those I would soon join on a train ride; the garland
Return to India, Part 3: My Facebook friend, Ramz, her mischievous brother, her nationally recognized achiever mom, her dad at the wheel
India series, Part 4: When you overtake an elephant on the highway, be sure to pass on the right; birthday remembrance; In Wasilla, pass "oversize" on the left
Return to India, Part 5: I wander the cold, empty, streets of Bangalore
Return to India, Part 6: A cow, blessed and safe; Suji takes me to lunch, then goes out with Bhanu to do some wedding shopping
Return to India, Part 7-A: A three-snack outing as mother and daughter shop for Suji's wedding
Return to India, Part 7-B: On the painted holiday of the final full moon of winter, Sujitha and Kruthika go back to get a necklace
A spacer only - the Buddha and the glamour poster ad
Return to India, Part 8: henna, to highlight her beauty and deepen the love between bride and groom; a moment on the way to the train
Return to India, Part 9: A prayer and a blessing for Suji; we head for the train; three calls to Manu
Time for another spacer - the green man who showed up at the railroad station
Return to India, Part 10: The train to Pune, part 2: Sujitha by the window as a thin thread of her India flows by
Return to India, Part 11: On the train, part 3: Ganesh Ravi - Photographer: how we discovered his hidden talent
Return to India, Part 12: On the train, part 4: After dark
Return to India, Part 13: train ride, part 5: we click and clatter into Pune, take a perilous walk and step into a world beyond imagination
Return to India, Part 14: The groom his wedding suit; me in mine
Return to India, Part 15: A function to mark the final night Sujitha would spend with her family before the wedding
Return to India, Part 16: Inside the Biradar house: portrait of an elder woman - portrait of a young girl
Return to India, Part 17: We dine in the home of the groom's parents, then join in the Puja of Kalasha
Return to India, Part 18: Slideshow: Sujitha and Manoj at the wedding hall - Engagement and Haldi Night
Return to India, Part 19: The wedding band, in the visual style of Sgt. Pepper's (10 image slide show)
Return to India, Part 20: The groom rides a white horse to the temple, there is dancing in the street; Sujitha and Manoj are wed
Return to India, Part 21 - Benediction: Sujitha takes me to the sacred waters; fish dine - a crow flies
Monday
Apr162012

Return to India, Part 6: A cow, blessed and safe; Suji takes me to lunch, then goes out with Bhanu to do some wedding shopping

The big plan for this day was for Suji and Bhanu to go out and do some wedding shopping. First, before they did, Suji wanted to take me out for lunch. Even before that, I needed to take a walk, so I did and I met this cow. Such cows wander freely and wherever they go, they bring blessings with them. Many Americans like to use the slang phrase, "Holy cow!" to describe something that seems unbelievable. This is where the phrase comes from. Here, cows are considered sacred. This is a holy cow.

Not all Hindus are vegetarian, and there are many Muslims, a fair number of Christians and people of other faiths or lack of faiths, so many restaurants do serve meat - but not one time did I see beef on the menu. As I mentioned before, I did not go into McDonald's, but I was told that even in McDonald's there is no beef. They have what they call hamburgers on the menu, but they are made from chicken.

I did not see pork on any menu, either, as Muslims are not supposed to eat pork. The restaurateurs do not want to offend either Hindus or Muslims. I saw chicken, mutton and fish. This cow, and all other cows, bulls and calves that I saw, were all as safe as safe can be.

If Sandy had been with me, she might well have hugged this cow. She always did that kind of thing - even to animals not considered to be particularly sacred - although in Hindu, all animal life is considered sacred - but cows more so.

Come lunch time - which came not at noon but a bit after, Suji got onto her motorbike, I climbed on behind and off we went. She covered her face with a scarf because of the dust and smoke in the air and to keep the sun off her skin.

 

 

 

 

Suji told me it would be fine if I ordered a meat dish, but when I am with my Hindu relatives, it feels better to eat vegetarian, to eat what they do. Most of the item names on the menu mean nothing to me, so I asked Suji to order for me. I cannot remember the names of the dishes... one was a puree made of spinach and spice...but... oh, all were so superb!

No American jokes about the waiter's finger! He didn't know.

Just as we reached the house coming back, this fruit seller came by.

Before we went inside, Suji exchanged greetings and plesantries with neighbors who had not seen her since June, when she had left to go to London. They all seemed excited about her pending wedding.

I don't want anybody to see this gold and get the wrong idea. Having gold does not mean you are rich. In India, just about everybody has gold. Gold is very important to the culture. When traffic forces the vehicle you are riding in to stop, it is not unusual to have a thin, frail, woman from the street come up to you, begging, and to see gold on her.

Murthy claims that there is more processed gold in India than in all the other countries of the world combined, that there is gold in every single home. In terms of gold, he says, India is the richest country in the world. I don't know if this is a statistical fact or not, but it does seem that everyone owns gold - and they go for the purest gold they can get: as close to 24 karats as possible.

Here, the family examines some of the gold they will carry with them on the train to the wedding. The parents of the groom had also requested that they bring them a certain amount of gold as gifts, and in India, such a request from the family of the groom cannot be denied. Traditionally, it would be part of the dowry the wife is expected to bring into the family of the husband. Suji and her family had borrowed money in order to honor all the requests of the groom's family. 

 

 

 

 

 

 

 

A bit afterward, a good friend, Prema, stopped by. It was the first time they had seen each other since June. Prima is studying medicine and dentistry, at the top of the honor roll and is a lecturer at a medical college. I am told that she has written some brilliant papers.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Suji showed one of the sarees she would wear at her wedding. Remember the photo of Soundarya with the garland draped around it that I posted in part 2? Remember how I stated that it sat on a mantle, along with other items Sandy had brought into the house? The book case in the background is part of that mantle and the little elephant statue is one of the items Sandy had brought into the house.

When it came time to go shopping, we stepped outside to get into Prema's car, so we could go pay a visit at the home of her parents. As we walked to the car, this cat came skitting by...

...and then these crows rose above us. Cats and crows. How could I not think of Sandy? These were the two animals most special between us - although the crows would be ravens on the Alaska side. Of course, how could I not think of Sandy, anyway? All the time? I was in India - her country. I had moved over from Murthy and Vasanthi's to the home of Ravi and Bhanu, her parents, the home where she had once lived, the home where I had photographed her being blessed multiple times by her parents, grandfather and many relatives and friends in a function that took place in the early morning of her wedding day - and then in another with Anil about midnight afterwards.

Soon, we passed by a Van Heusan store. This is a men's store, and would be of no use to us on this night. We needed stores that catered to women - to brides to be. Suji did plan to buy me a suit to wear to the wedding - an Indian suit, not a western suit like those associated with Van Heusen.

At the home of Prema's parents Bhanu and Suji greeted her baby daughter, Aditi.

Prema, her husband Hemeth, Aditi and parents.

We left Prema's house for the shopping area in an auto ric. Evening was drawing nigh.

 

 

 

 

Then, instead of a Van Heusen's catering to men, we drew near to Fashion Point, catering to women. A man who looked like he might be the storekeeper signaled directions to two others on the floor above as they lowered a new glamour-banner into place.

We would not go into this store, but, just this evening's wedding shopping was about to begin. Originally, I had planned to skip this little vignette and go right into the shopping spree, but I didn't have time to figure it out this evening, so I did this instead.

I will post it next - maybe before I got to bed. Probably not. I had to get very early this morning to take Margie into town so she could babysit for two days. Then, tomorrow night, Lavina has to go to Phoenix for a conference. She did not want to leave Lynxton behind, so she is bringing him and taking Margie, too, so Margie can babysit Lynxton while Lavina attends her conference.

I don't think it will be that much fun. This is the time of year when the nice weather leaves Phoenix and it starts to get hot and Margie has no spending money. They return to Anchorage one week from tonight, but I probably will not see Margie again until Thursday night of next week, or maybe Friday, because she will need to stay in Anchorage and babysit.

"These days, it seems like I'm always home alone," I told her last night.

"Now you know what it's like," she answered.

 

 

 

Series index:

India series, part 1: With a little help from the Indian Air Force, I begin my India series without actually beginning it
Return to India, Part 2: Pain beneath the fan, a sprawling tree, monkey on a string; those I would soon join on a train ride; the garland
Return to India, Part 3: My Facebook friend, Ramz, her mischievous brother, her nationally recognized achiever mom, her dad at the wheel
India series, Part 4: When you overtake an elephant on the highway, be sure to pass on the right; birthday remembrance; In Wasilla, pass "oversize" on the left
Return to India, Part 5: I wander the cold, empty, streets of Bangalore
Return to India, Part 6: A cow, blessed and safe; Suji takes me to lunch, then goes out with Bhanu to do some wedding shopping
Return to India, Part 7-A: A three-snack outing as mother and daughter shop for Suji's wedding
Return to India, Part 7-B: On the painted holiday of the final full moon of winter, Sujitha and Kruthika go back to get a necklace
A spacer only - the Buddha and the glamour poster ad
Return to India, Part 8: henna, to highlight her beauty and deepen the love between bride and groom; a moment on the way to the train
Return to India, Part 9: A prayer and a blessing for Suji; we head for the train; three calls to Manu
Time for another spacer - the green man who showed up at the railroad station
Return to India, Part 10: The train to Pune, part 2: Sujitha by the window as a thin thread of her India flows by
Return to India, Part 11: On the train, part 3: Ganesh Ravi - Photographer: how we discovered his hidden talent
Return to India, Part 12: On the train, part 4: After dark
Return to India, Part 13: train ride, part 5: we click and clatter into Pune, take a perilous walk and step into a world beyond imagination
Return to India, Part 14: The groom his wedding suit; me in mine
Return to India, Part 15: A function to mark the final night Sujitha would spend with her family before the wedding
Return to India, Part 16: Inside the Biradar house: portrait of an elder woman - portrait of a young girl
Return to India, Part 17: We dine in the home of the groom's parents, then join in the Puja of Kalasha
Return to India, Part 18: Slideshow: Sujitha and Manoj at the wedding hall - Engagement and Haldi Night
Return to India, Part 19: The wedding band, in the visual style of Sgt. Pepper's (10 image slide show)
Return to India, Part 20: The groom rides a white horse to the temple, there is dancing in the street; Sujitha and Manoj are wed
Return to India, Part 21 - Benediction: Sujitha takes me to the sacred waters; fish dine - a crow flies
Monday
Apr162012

As an airplane flies overhead in Wasilla, I launch my Logbook Photo Store - with a blessing and a coin from India

Murthy and Vasanthi took me to see a certain Hindu temple in Ahmedabad where we crawled through a narrow, man-made cave built to replicate another in a temple built into a rock in another part of India. After passing through the cave, we came to place where a priest stood behind a countertop overlain with flowers. Incense burned and so did an oil lamp. As people stopped in front of him, he would say a short prayer in his language and would place a red mark on their forehead.

I was a little worried, because I knew I would be in front of him soon and the usual protocal called for congregants passing by to drop a little money into a box as an offering - kind of like passing the offering box through the congregation in a church. When I visit a church, even though I am not a member, I always drop some money into the box when it is passed in front of me.

I had no money on me. I did not know what to do. I was surprised when, instead of expecting me to give money to him, the priest handed me the coin in the photo above. With a smile and a gentle expression on his face, he said a short prayer, reached out, touched my forehead and left a red mark on me.

In his way, which is not my way but which I honor and respect, he had blessed me, but I had no idea what he said. When we stepped out of the temple into the glare of the hot sun, I asked Murthy what the priest had said in his blessing to me.

"God bless you," Murthy interpreted, and then explained that priest had also blessed me that I might find financial success. To me, financial success means to obtain the resources that I need to do my work... to take my pictures, write my stories, to put together the books that I still must get done in whatever time I have left. I decided to keep the coin for the rest of my life - as a good omen that, somehow, as challenging as the near future appears to be, everything will come together and I will obtain those resources and I will get my work done.

As regular readers know, I have two big goals right now, but no financial backing to do either one. There are books I must complete. For the most part, I have the material. I have the photos, I have the information, I have the experiences, what I need is the time to do the work. Then there is this blog. I'm not totally satisfied with the format, but I love the basic idea, the way a blog allows me to play words off photos.

And now, as of this week, I have no money and no income and no promise of income, but lots of bills ahead of me. 2011 was actually a very good year for me but it has passed. Uiñiq magazine and the other sources of support I had been relying on are gone. Uiñiq is over. I do not believe it is coming back. My inquiries to the new powers that be as to whether we could keep it going have generated no response - but I think this is how it is supposed to be, because if I get too comfortable doing Uiñiq and I rely too heavily upon it, then I won't get my books done.

I won't push this blog to where it needs to go.

Uiñiq was good for me and I loved it and many Iñupiat people continually tell me they loved it, but everything has its season and the season has come for me to move beyond Uiñiq. I am afraid to say this for certain, because if the offer came, it is hard for me to imagine that I would not take it. But I do know that there is a certain, major, book I have been working on for decades and I must finish it, at least to electronic form, before the end of August.

How will I do that, if I am doing a Uiñiq?

So, somehow I must make this blog the foundation of my income, so I can be free to do what I need to do.

It feels impossible. Yet, I know it can be done. Somehow, it can be done - but not if I just spend hours working on this blog every day without any kind of mechanism at all to bring in some coins. So, finally, now that we are solidly broke, I start my store.

The store alone won't do it. I don't really think the store is the answer - but I will start with this store, see if anything happens, and see what else it will lead to. There is a link to the store near the top of the right hand column, but it doesn't stand out at all, so I must make a button that does - but the button can't stand out too much, or it will diminish the impact of the photographs.

This is also why I am trying to stay away from ads. Ads make a blog ugly, and they can be so damned annoying. So I am trying to stay away from them. David Alan Harvey has succeeded in doing so with Burn. David is truly famous and has a huge following and features scores and scores of superb and innovative photographers and so pulls in a level of support and contribution that I cannot hope to match.

He is not getting rich at it, but he is succeeding and he is doing good, creative, fulfilling work that he loves and no one else is doing. If he can, somehow, I can.

I don't know how, so I start with this store. The store alone is not going to do it, but it is a statement that I am serious and I am looking for the way.

I don't have much in the store - just a few prints for now, and two prototype covers of some very simple iPad books I hope to make in the near future. I believe one week's worth of work would be all that would be required to finish the first book - because I have already completed it. I just have to revise it and adapt it to the iPad. I have zero experience and know-how at this, but I undertand there are simple ways to do it.

The second book will take a little more work, but the material is all at my finger tips. I just need to keep it simple.

As to the prints, I have been at a loss as to what to charge. For now, I have chosen $50 for an 8.5 by 11, $150 for 11 x 14 and $300 for 13 x 19 on Velvet Fine Art Paper. I fear very few people will be willing to pay $300, but so far I have not been able to talk myself into going any lower. I have never sold prints except on the rarest of occasions. About 20 years ago, ASMP sponsored a show I wanted to participate in but all those who hung a print had to put a price tag on it.

I did not want anybody to buy my print, so I priced it at $300. It sold anyway. A few years back, I had a major museum exhibition. The museum also bought a large selection of 13 x 19 Velvet Fine Art prints for their permanent collection and paid me $500 each, as I recall. They apologized for this price, as they said it was not enough and the prints were worth more, but they didn't have the budget for it.

So, as hard as I have been trying to, I cannot make myself go below $300, because it feels like I would be insulting my own work. Yet, I think hardly anyone will pay that.

But anyone who wants to surprise me - please do.

I am certain that anybody who has been following this blog lately will recognize Sujitha. Those who read part 2 of my return to India series might also recognize Natarajan's little green boy bank. The other hands in this frame are those of her mother, Bhanu.

I don' think anybody can make a worthwhile picture every day, but just the same, I decided to devote one section of my store to "The Daily Take." On every day that I can manage the time, I will put one image I took that day in the store. I will leave it there for two weeks, then remove it. I don't think many of these Daily Take images will sell. Maybe none of them. But I like the idea so I am going to do it.

This the first image in the Daily Take section - a plane that flew over me on my walk this morning. Anyone familiar with my work and history will understand the significance, whether I sell a single print or not.

Regular readers are also familiar with my Young Writer studies, focused upon Shoshana Hausmann, barista at Metro cafe. You will find one section of my store devoted entirely to the Young Writer. These 11 x 14 prints will include a sampling of her writing along with one of my pictures of her. I am not certain how often I will add a new one - at least once a month. I am not satisfied with the design on it just yet, so I will tweak it a bit.

If anyone has any suggestions or questions, please contact me at:

runningdog@ak.net

Now I just hope the damn robots don't jump on my email address. 

 

The Logbook Photo Store

Wednesday
Apr112012

Return to India, Part 3: My Facebook friend, Ramz, her mischievous brother, her nationally recognized achiever mom, her dad at the wheel

 

 

 

You have heard the old adage, "the squeaky wheel gets the grease." Be certain, Niece Ramya Srivinas, "Ramz," is not a squeaky wheel. She is not complaining about anything and she is not a nuisance. She keeps a pleasant demeanor. The smile on her face is for real. She is fun to be with and to communicate with. Yet, as I always do, I took all kinds of pictures in India and shot many little vignettes. I will get to some of them, and some of them I will never get to - most of them, in fact - there are just too many and time is too short.

I am pretty certain I would have gotten to this vignette of Ramz and family, because we are Facebook friends and Ramz sends me a few pokes, every day. I would have remembered and I would have gone back and found these images at some point before I finished the series - but probably not for awhile yet. I took these pictures shortly before those of us who rode the train departed Bangalore to Pune. When we arrived in Pune, I found a Facebook message from Ramz asking to see the pictures.

This kind of thing is simple with most people, because by comparison they don't have that many pictures to sort through, prepare and post as I do, and they don't spend the time with the individual images that I do, either. It is not simple with me. I have a continual river of photogaphs to deal with and it can be very hard to reach in and snatch particular images out of it.

I promised Ramz I would get them sooner or later. A bit later, I got another request from her, and another after and still one more. And every time I see a poke from her on Facebook, I think about these photos and how she wants to see them. So here they are, Ramz.

This is Ramz' little brother, Rajeev. He is famous across southern India and even worldwide for being very mischievous. This is so, because of the appearances he makes on Ramz's Facebook page. Indeed, Ramz does have readers across Southern India and worldwide - I, for example, am one of her world-wide readers.

So, truly, he is famous worldwide.

And now his fame grows a little more.

 

 

 

I was a little boy once and I still remember how it felt to be taken onto the lap of a beautiful woman relative or family friend who would hug and smooch me and tousle my hair.

It was damned embarrassing... and yet... something about it... quite nice!

I think Rajeev is embarassed - I think Rajeev finds it quite nice. Even as he struggles to get away, he enjoys the attention and affection.

 

 

 

 

 

 

 

 

 

 

 

This is Lalitha Srivinas, mother to Ramya and Vinu. Right after the wedding, at a function in Mumbai to honor Indian women of achievement in conjunction with the International Women's Day, Lalitha received the number 1 Women Achievers of India award from the State Bank of India.

Lalitha has developed innovative ways to help the visually impaired read and cope with daily life - and with banking. She is visually impaired herself.

 

 

 

 

 

 

 

 

 

 

I do not know if there is a photographer gene, but, just as Ganesh is, it appears to me that Ramz may well be a natural-born photographer. She is continually changing her Facebook profile picture - mostly with self-portraits - and many of them are amazing - glamourous, even.

And I see promise in the fun and creative pictures that show up in her Facebook albums.

So here she is, Ramz - the Amazing Self Portraitist - standing in the night street light.

But where is her mischievous brother, Rajeev?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

There he is!

And there he goes! Rajeev - the Mischievous One.

Rajeev waves goodbye.

Dad is at the wheel.

Off they go. They were not able to come to Pune for the wedding. I have seen none of them since - but I bet if I go to Facebook right now, I will find a poke waiting for me from Ramz.

 

 

 

Series index:

India series, part 1: With a little help from the Indian Air Force, I begin my India series without actually beginning it
Return to India, Part 2: Pain beneath the fan, a sprawling tree, monkey on a string; those I would soon join on a train ride; the garland
Return to India, Part 3: My Facebook friend, Ramz, her mischievous brother, her nationally recognized achiever mom, her dad at the wheel
India series, Part 4: When you overtake an elephant on the highway, be sure to pass on the right; birthday remembrance; In Wasilla, pass "oversize" on the left
Return to India, Part 5: I wander the cold, empty, streets of Bangalore
Return to India, Part 6: A cow, blessed and safe; Suji takes me to lunch, then goes out with Bhanu to do some wedding shopping
Return to India, Part 7-A: A three-snack outing as mother and daughter shop for Suji's wedding
Return to India, Part 7-B: On the painted holiday of the final full moon of winter, Sujitha and Kruthika go back to get a necklace
A spacer only - the Buddha and the glamour poster ad
Return to India, Part 8: henna, to highlight her beauty and deepen the love between bride and groom; a moment on the way to the train
Return to India, Part 9: A prayer and a blessing for Suji; we head for the train; three calls to Manu
Time for another spacer - the green man who showed up at the railroad station
Return to India, Part 10: The train to Pune, part 2: Sujitha by the window as a thin thread of her India flows by
Return to India, Part 11: On the train, part 3: Ganesh Ravi - Photographer: how we discovered his hidden talent
Return to India, Part 12: On the train, part 4: After dark
Return to India, Part 13: train ride, part 5: we click and clatter into Pune, take a perilous walk and step into a world beyond imagination
Return to India, Part 14: The groom his wedding suit; me in mine
Return to India, Part 15: A function to mark the final night Sujitha would spend with her family before the wedding
Return to India, Part 16: Inside the Biradar house: portrait of an elder woman - portrait of a young girl
Return to India, Part 17: We dine in the home of the groom's parents, then join in the Puja of Kalasha
Return to India, Part 18: Slideshow: Sujitha and Manoj at the wedding hall - Engagement and Haldi Night
Return to India, Part 19: The wedding band, in the visual style of Sgt. Pepper's (10 image slide show)
Return to India, Part 20: The groom rides a white horse to the temple, there is dancing in the street; Sujitha and Manoj are wed
Return to India, Part 21 - Benediction: Sujitha takes me to the sacred waters; fish dine - a crow flies
Tuesday
Apr102012

Return to India, Part 2: Pain beneath the fan, a sprawling tree, monkey on a string; those I would soon join on a train ride; the garland

Pain.

Pain brought me to India this time, and pain traveled with me from the moment I stepped off the arriving plane to the moment I stepped into the departing one. Not physical pain, but pain born by the spirit, the bitter pain of sorrow and anguish.

Yet, I did enjoy this trip to India. I smiled often, laughed a lot and the smiles and laughs were true and genuine - manifestations of the joy and pleasure I felt to be there. I had fun in India. The company I kept was good. The people I stayed and traveled with were generous, warm, loving and often made me smile. I made them smile. We all smiled together, laughed together. Yet, underlying everything, at every moment, was pain - not only for me, but for them, too. We had suffered a common and bitter loss: an individual bound to them by love, blood, and spirit, to me by love and spirit, but still family, the bond deep and strong.

The pain struck me the most, close to unbearable, when I would lie beneath a whirling fan as its blades sliced the air, forcing it to flow over me and cool me. There were many fans, over all of the various beds I slept in, be they in the homes of my hosts or the hotels they took me to. The quietest times I experienced in India took place beneath these fans - the times when I would lie down upon a bed for the night, or when jet lag would force me to try to nap in the afternoon. Even in the barber's chair, above, my heart was pierced by the whirling of the fan as it blended with the metalic squeak of scissors clipping.

It never seems to get truly quiet in India the way it does in Alaska, particularly in the winter. There are always a variety of birds - some of them loud - chirping, squawking, mocking and singing -sometimes joined by monkeys who throw their voices into the mix. Street dogs bark. Merchants walk the streets and shout out ads for the goods they sell. Hindu priests and their accolytes pass by, banging drums, chanting, singing as they make oblations to their Gods. Sometimes, the Muslim call to prayer can also be heard.

Yet, under the fan, alone with my own mind, these other sounds all seemed to recede. It was the sound of the fan that stood out as it sliced, beat and pushed the air that swept over me and pulled away the heat of India. In the quiet beneath the fan, the pain within me crept out.

At times, I did not think I could bear it.

Twenty-five hours lapsed from the time I boarded my first flight in Phoenix until I exited the last in Bangalore. I had intended to read a book on the plane and to sleep if I could, but my head was not into reading and sleep seldom comes easily to me. I got a little, but not much, so I watched movies, beginning with Puss and Boots. Sometimes, I just held my eyes closed to see what kind of images and stories would play out on the back of my eye lids.

Sometimes, one of the three purposes of my trip would press heavily down upon me and I would feel my eyes start to water just a bit. This was okay, because I could turn my head into the corner of my chair and my pillow and no one would know.

I resolved that once I got off the plane to join those with whom I would be staying and traveling, I would not lose a tear in their presence - except with Suji. We had a mission to undertake together, a mission that by its nature was bound to draw tears out of both us. Other than the planned excursion with her, I would keep my tears to myself.

Murthy, Vasanthi, and Ganesh met me at the airport. They came in Ganesh's cute little car, his $4000 Tata, billed as the cheapest car in the world. As soon as we got in, Ganesh announced that he was driving on empty and that we must go straight to the nearest gas station, before he ran out of gas altogether.

Right after we left the airport, we passed by this statue of Lord Hanuman the Monkey God. I thought of the last time I had been on this road - in a cab going to the airport to return home with Melanie following the wedding of Soundarya and Anil. Anil and Buddy had ridden in front, behind, and alongside us on Anil's motorbike, Soundarya, her parents and aunt and uncle in the car with us. She would lean forward to the front passenger seat where I sat to rest her hand, sometimes her head, upon my shoulder.

In India, only ticketed passengers are allowed to enter the terminal. After we parked at the airport, she inter-twined her arm with mine, took my hand in hers, walked me to the door and then gripped my hand as I passed through the door into the terminal until finally the stretch became too great and our hands slipped apart.

I took a glimpse back into her moistened eyes, then walked away to check my bags, find Melanie and head to my gate. That glimpse was my last of Soundarya - forever; or at least for all of this life. Beyond this life, I really don't know. A lot of people tell me that they know, and they have many different ideas and concepts about it. I just don't know.

Now, as Ganesh drove the Tata about on fumes, looking for a gas station, I looked at the road I had traversed with Sandy in the day and remembered, even at night. I could not altogether suppress the tears. I did my best to restrain and hide them. Perhaps I did hide them from Murthy and Vasanthi, who sat in the back seat, but Ganesh reached over and gave my right forearm a squeeze.

In his eyes tears also appeared.

 

 

 

We had not left the airport until after 2:00 AM and every gas station we went to was closed - I think it might have been a holiday - India is a country of many holidays. We had gone out of our way to get to a couple of those stations and had burned up that much more gas. Yet, after we drove for an hour without finding an open station, Ganesh pulled up to Murthy and Vasanthi's house.

Murthy and Vasanthi insisted that I sleep in their room on their bed and they slept in another room on a smaller, less comfortable, bed. They did the same thing last time I was here.

In the morning, Vasanthi cooked breakfast. Being Hindu and vegetarian, she never cooks a shred of meat, but she is a superb cook and when I eat in her house, in the heat of India, I never miss the meat. I like to joke with her, to plead with her to move to Anchorage and start her own South Indian restaurant. I tell her she could grow rich - because that's how good her food is and there is nothing like it to be found in any Anchorage restaurant I have ever been in.

I joke, yes - but I mean it, too. I would like it if she did, but I know it will never happen. Vasanthi is a true woman of India; She loves her country. She is proud to be Indian. She treasures her religion and prizes the beauty in her culture. She enjoyed her visit to Alaska in 2008 and wants to visit again - but India is her home. She is not going to make a restaurant in Anchorage, no matter how much I would enjoy it if she did.

After breakfast, I walked over to the banyan tree that grows on the grounds of an agricultural college not far from Murthy and Vasanthi's house. Along with the greatest giants of the redwoods, it is among the most amazing trees I have ever seen. It keeps extending its branches outward and as the branches grow fat and heavy, they sprout tendrils which reach down to the ground, dig their way in to form a new trunk and to grow new roots, which then intertwine and merge with the existing root system. 

The tree looks like it is many trees, all wrestling reach other for the same patch of earth and sunlight - but it is just one tree. As grand as this one is, I hear and read about others even more grand - some have diameters greater in width than the length of two football fields, with a multitude of trunks. The oldest banyan trees predate the birth of Christ.

Such a tree looks like a mini forest, but it is just one tree with system of trunks, branches and roots that all reach back into one common point of origin. I grew up with Sunday School diagrams of my family tree. To me, the banyan tree is a family tree to represent all of humanity - we, who all began together, then reached out and expanded into other lands and continents to lay down new trunks and new roots, yet, even if most of the time we forget it, we all tie together, our roots intertwined, spreading out from and reaching back to a common point of origin.

Although she is gone, Soundarya was everywhere - present in all the little things she had left behind, including this stuffed monkey toy that hung above the bed in which I slept. She had gotten it while out somewhere with Anil and had given it to Murthy and Vasanthi. As I wrote in the first post I made after I arrived in India this trip, I had come with three purposes in mind. 

Even though I had an intellectual knowledge of Soundarya's death, emotionally I had never accepted it. I had not seen her body, I had attended no funeral service, I had not been present at her cremation or for the release of her ashes into the sacred waters. Inside me, there has been a stubborn streak that has refused to accept her death as permanent - even in the mortal sense.

For almost 15 months, against all logic and evidence, this stubborn streak had continued to tell me she would somehow reconstitute herself and we would return to our regular exchange of emails and chats.  She would still come to Alaska to visit Margie and me and we would yet ride bicycles together through Denali Park and she could bungee jump off a certain bridge that spans the Copper River and paraglide off the Chugach. These were things she wanted to do.

So I came to India in the hope I might at last make my whole self come to an understanding of the truth, to find a way to accept that truth and come to terms with it.

I came intent to visit the place where she took her life, the crematorium where her body was returned to ash and dust, and the holy waters into which her ash and dust had been released. It is kind of like when you lose a person you love in a car crash. Even if you weren't there when it happened, you go to the site where it took place. You look at the skid, oil, and maybe burn marks left on the road. Then you go to the junk yard to look at the crumpled car, the blood stains inside it. You go to the funeral home; view the body. You attend the funeral, then stand beside the grave as your loved one is lowered into the ground. None of this is macabre. When you lose someone you love, you just have a human need to know what the full process was that took them from the living person you loved into the grave.

If I could see the places and things that told of her process, I thought, I might finally, wholly, know. I might accept the truth and come to terms with it.

My second purpose was to attend and photograph the formal Hindu wedding of Sujitha, Soundarya's younger sister, 30 on her next birthday, to Manoj Biradar (Manu). As do her brother and all her cousins - my in-laws, Suji calls me "Uncle." I love it when she does. I call her, "Niece." As did Sandy and Anil when they wed, Suji and Manu had broken with custom, had come together by their own choice and across the boundaries of the caste system of old.

Manu had gone to London about two years back to find higher paying work than his skills in technology, management and sales could get him in India. Last June, Sujitha followed and got a job of her own. After flying to Mumbai and then on to Pune, the big city of Manu's home region, where his parents live and where the wedding was scheduled to take place, she returned to Bangalore alone on March 3.

As had I, Suji came in on a flight that arrived in the wee-morning hours. Murthy and Vasanthi live closer to the airport than do Suji's parents, so Ganesh drove us to the airport to pick her up and then we returned here. Natarajan, Vasanthi's 87-year old father, was asleep when she arrived, but he happily awoke to welcome his granddaughter home. Natarajan wears a gold chain around his neck and Suji has always loved that chain.

Whenever she first sees him, she teases him, pretends that she is going to steal the chain away from him. She did so now. This gave us all a good laugh.

I do not know how I would have coped after Soundu's death without Suji Niece, and Bill Uncle played a big role in helping her cope, too. We bore and expressed the pain we felt through countless emails; I took my phone to bed every night and Suji knew I was there, ready to talk, any time, day or night. We did, too.

Amidst the tears, we also discovered things to smile about. Suji fell in love with my grandsons - especially Jobe of the chubby cheeks, shining eyes and effervescent smile. This visit would be dominated by smiles and laughter - yet with the pain of the loss of her Soundu and my Sandy never far below the surface.

 

 

 

 

Sometimes, even and especially in the happy moment of reunion, this pain would work its way to the surface. As I have already written, the "U" tattooed onto Suji's right arm is the last letter of the word, "Soundu" her pet name for her sister. On the other side of the tattoo is the large letter "A" with the names Anil and Soundu spelled out between. A framed space is reserved for a portrait of the two of them together - once Suji comes up with the funds to finish the tattoo.

 

 

 

 

 

 

 

Even though I took the photo, it hurts me now to look at it and to see the pain in it. Yet, Suji wants to help me to tell the story of her sister; she wants people to understand what kind of person she was and how she was loved and how terribly badly it hurts to lose someone you love to suicide - even when you know what kind of unbearable pain she had suddenly found thrust upon her. Such a story cannot be told unless the pain is shown.

 

 

 

 

 

 

 

 

 

 

 

Even when dealing with the worst pain imaginable, the best choice one has is to grab hold of it, put it in a compartment in one's heart where one can go to retrieve it as needed, then stand up, face this brutal yet magnificent life, grab a smile and continue on.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

It helps to receive a blessing and a prayer, as Suji receives from Vasanthi. It is a heartfelt blessing. There is love behind it, power and healing in the love.

When I was in India, I was too busy and my access to the internet too slow and shaky to do little more than post a fragment or two, but I did get up a couple of posts that are very relevant to the story I am telling now. One happened the night after Suji's return, when she, her parents and brother returned for dinner. Afterward, according to custom, her Aunt Vasanthi presented Suji with her first wedding gift.

After receiving the gift of a new saree, she stands with her Aunt Vasanthi, her father Ravi and mother Bhanu.

The handsome gentleman looking down from the photograph is Murthy's father, Subramaniam Murthy, a photographer who died at the age of 45. In the Hindu way, photos of the deceased are draped with a garland.

None of the many photos Subramaniam took over his career remain in the family. 

 

 

It hurt me terribly to look at this photo of Soundarya, draped with a garland, a photo-button of her kissing Anil attached just below. The garland delivered the very message I had come to India to grasp and accept, but when I saw it, I fought against it. I did not want to accept the message. 

This sat on the mantle in the home of Ravi and Bhanu. I thought it was part of a permanent, living-room memorial to Sandy, but Bhanu told me the family had put it on the mantle, along with mementos Sandy had left behind, so that I could see it when I arrived.

 

 

 

 

 

 

And here is Ganesh, brother to Soundarya and Sujitha. "Gane" is a photographer. He did not know it until he met me, but now he does. He has a natural eye and great potential. He has not yet figured out how to make a living at it, but I am no longer so certain I have, either. I will tell more of this story later, after we board the train.

Ganesh and I have also kept the lines of communcation open and have helped each other. I think the biggest way I helped him was to lead him to his passion - photography. Even in grief, the camera brought out his passion. Passion has carried him through what he did not believe he could be carried through.

Murthy, Suji and Bhanu study coins from the collection Natarajan keeps in the little green boy bank. Murthy knows about money and finances. He recently retired from a career in banking. Don't get the wrong idea - he does not have the kind of huge wealth that we in America tend to associate with bankers, but he is comfortable and is able to take his wife (and me) touring now and then.

He is generous beyond generosity. I have never experienced anything like Murthy's generosity. When he becomes a host, he assumes complete responsibility for his guest. I barely spent a few rupees in India, because Murthy would not let me. Nor would Vasanthi - or, for that matter, Suji, when I would be with her. I'm even talking airplane rides here - which, on IndiGo Air are stunningly affordable, but still - Murthy paid my fare and would not hear of reimbursement.

He would not let me spend a single rupee (about two cents) on my own transportation - or my lodging - or my food - not even my medicine.

Last time he and Vasanthi came to Alaska, I drove them up the haul road to the Arctic Circle and then on to Coldfoot. It was May. South of the Brooks Range, the weather was good but above, a 55-knot blizzard raged, so we could go no further.

Murthy wants to experience Arctic Alaska during the coldest, darkest, time of the year. We agreed that he and Vasanthi should come back in the middle of the winter of 2013-14 and I will take them to Barrow and other points north. I've got to get on top of things by then, so I can buy their tickets, just like he bought mine once I got to India. I can't let him spend anything on travel, food, or lodging.

Murthy never seems to forget anything, ever. Once he gets hold of a fact, he's got it. He can tell you things about Coldfoot that if I ever knew, I have forgotten.

They all definitely teased each other, but I always liked how close the three siblings were - Sandy, Suji and Gane (Gee Iyer on Facebook - he gave himself the name "Gee" because few English speakers could handle Ganesh). I used a picture similar to this in the March 4 post linked above. As I post this series, if I feel I need to use a photo that I already used in the fragments I put up while I was in India, I will.

A week later, I would join all of the people who appear in this post on an 18-hour train ride to Pune to attend Suji and Manu's wedding. The train ride would mark the first phase of my third purpose in coming to India - to learn a little bit more about the country that made Soundarya who she was. I went to places she never got to visit, but still it was her country. She was shaped by its history, landscape, lore and customs. Some she accepted and loved, some she rebelled and fought against.

I've got a few other stories to post before I take readers onto the train. Starting tomorrow, I will try to post at least two stories a day, so I can finish this series up in good time.

I won't promise, but I will try.

 

 

 

Series index:

India series, part 1: With a little help from the Indian Air Force, I begin my India series without actually beginning it
Return to India, Part 2: Pain beneath the fan, a sprawling tree, monkey on a string; those I would soon join on a train ride; the garland
Return to India, Part 3: My Facebook friend, Ramz, her mischievous brother, her nationally recognized achiever mom, her dad at the wheel
India series, Part 4: When you overtake an elephant on the highway, be sure to pass on the right; birthday remembrance; In Wasilla, pass "oversize" on the left
Return to India, Part 5: I wander the cold, empty, streets of Bangalore
Return to India, Part 6: A cow, blessed and safe; Suji takes me to lunch, then goes out with Bhanu to do some wedding shopping
Return to India, Part 7-A: A three-snack outing as mother and daughter shop for Suji's wedding
Return to India, Part 7-B: On the painted holiday of the final full moon of winter, Sujitha and Kruthika go back to get a necklace
A spacer only - the Buddha and the glamour poster ad
Return to India, Part 8: henna, to highlight her beauty and deepen the love between bride and groom; a moment on the way to the train
Return to India, Part 9: A prayer and a blessing for Suji; we head for the train; three calls to Manu
Time for another spacer - the green man who showed up at the railroad station
Return to India, Part 10: The train to Pune, part 2: Sujitha by the window as a thin thread of her India flows by
Return to India, Part 11: On the train, part 3: Ganesh Ravi - Photographer: how we discovered his hidden talent
Return to India, Part 12: On the train, part 4: After dark
Return to India, Part 13: train ride, part 5: we click and clatter into Pune, take a perilous walk and step into a world beyond imagination
Return to India, Part 14: The groom his wedding suit; me in mine
Return to India, Part 15: A function to mark the final night Sujitha would spend with her family before the wedding
Return to India, Part 16: Inside the Biradar house: portrait of an elder woman - portrait of a young girl
Return to India, Part 17: We dine in the home of the groom's parents, then join in the Puja of Kalasha
Return to India, Part 18: Slideshow: Sujitha and Manoj at the wedding hall - Engagement and Haldi Night
Return to India, Part 19: The wedding band, in the visual style of Sgt. Pepper's (10 image slide show)
Return to India, Part 20: The groom rides a white horse to the temple, there is dancing in the street; Sujitha and Manoj are wed
Return to India, Part 21 - Benediction: Sujitha takes me to the sacred waters; fish dine - a crow flies