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Entries in Sujitha (24)

Sunday
Apr222012

Return to India, Part 12: On the train, part 4: After dark

After we had been on the train for about three hours, the sun slipped below the horizon and darkness began to settle in. It would take approximately 18 hours to make the 535 mile trip and the night would be 12 hours long. I shot this dim view of the dusky mountains beyond, through the window reflection of Bhanu and a man traveling in the same compartment as us.

Without daylight coming through the windows, the light inside the train became very dim and I found it difficult, often impossible, to grab a focus and hang onto it. Motion blur was a given. It's okay, though, because as I have noted before, life is a blur, anyway. Sometimes, feeling matters more than sharpness.

Two children escaped from the next compartment and came running into ours. We were all happy to see them.

Sometimes, just when they are feeling loose and free and find themselves among strangers who are delighted to see them, children get scooped up and taken back to their seats.

Then they slip away again, to delight us all.

Sujitha and grandfather Natarajan. Suji and grandpa Nats.

 

 

 

 

 

 

 

 

 

 

 

Nats and Suji - with Manu at our destination to receive the call of his bride.

I started to get hungry.

 

Vasanthi had anticipated hunger. Vasanthi enjoys chasing hunger away. She had cooked for us all before leaving home. I do not know if there was a diner car. Vendors came through selling coffee, tea and snacks, but not meals. Even if they had, their meals would not have compared to Vasanthi's.

I sure would like to see this restaurant in Anchorage:

Vasanthi's South Indian Cuisine.

Right now, she is in Minneapolis, Minnesota. My niece, Khena and husband Vivek have a brand new baby daughter, whom they named Thora Uma Marie Iyer - Thora being my mother's name. I will call her, "Little Mother."

Vasanthi is there to help care for her.

Suji gives some love to her dad.

Then she teases Grandpa Nats. That's love, too.

Murthy is a very smart guy. I figured that out when I first met him.

 

 

 

 

 

 

 

 

 

The henna on Suji's hands is darkening swiftly. The process is a little slower on her arms.

Now Suji drops in to share the love with her Uncle Murthy and Aunt Vasanthi. I have still not totally shed my jet lag. I find myself growing very tired.

I can't remember precisely, but it seems like it was about 10:30 PM when my traveling companions began settlling down on their bunks to sleep, so I did the same. My bunk was the one by the window, where Suji had sat with me earlier in the trip, and Ganesh after that.

With the curtains drawn, I was surprised at how dark it was in the bunk. Above me, I could the tiniest of lights, so I took this slow speed picture of it but it didn't really work. I could have tried harder, but I felt extremely tired so I gave up, closed my eyes and soon fell asleep.

About 1:00 AM, I heard my curtain get drawn and then felt someone shake me roughly. I opened my eyes and made out the dim figure of a man and woman. The train was stopped at a station. They had just got on. The man asked me what number my bunk was. He thought I was in his bunk. He wanted me to get out of it.

But I wasn't. I was in my bunk. Murthy, got up, set him straight and then the man and the woman moved on.

After that, I never fell back into a good sleep. There was no fan above me, but somehow, the sound of the train moving down the tracks - always a comforting sound for me - now struck the same note of bitter pain as did the fans.

 

 

 

I would manage to drop off to sleep for 10 to 20 minutes at a time. In one short period, I dreamed of Soundarya. She materialized before me and smiled brightly. She looked happy, full of life. She told me she had decided to continue her life after all, to revive her many dreams, start her training institute and make a good go of things.

Damn, I was happy!

The dream continued beyond that for awhile, but that's all I can remember.

At some ridiculous hour, still too early to be getting up, a vendor came by, selling coffee.

I couldn't sleep, anyway, so I had him pour me a cup.

 

 

 

Series index:

India series, part 1: With a little help from the Indian Air Force, I begin my India series without actually beginning it
Return to India, Part 2: Pain beneath the fan, a sprawling tree, monkey on a string; those I would soon join on a train ride; the garland
Return to India, Part 3: My Facebook friend, Ramz, her mischievous brother, her nationally recognized achiever mom, her dad at the wheel
India series, Part 4: When you overtake an elephant on the highway, be sure to pass on the right; birthday remembrance; In Wasilla, pass "oversize" on the left
Return to India, Part 5: I wander the cold, empty, streets of Bangalore
Return to India, Part 6: A cow, blessed and safe; Suji takes me to lunch, then goes out with Bhanu to do some wedding shopping
Return to India, Part 7-A: A three-snack outing as mother and daughter shop for Suji's wedding
Return to India, Part 7-B: On the painted holiday of the final full moon of winter, Sujitha and Kruthika go back to get a necklace
A spacer only - the Buddha and the glamour poster ad
Return to India, Part 8: henna, to highlight her beauty and deepen the love between bride and groom; a moment on the way to the train
Return to India, Part 9: A prayer and a blessing for Suji; we head for the train; three calls to Manu
Time for another spacer - the green man who showed up at the railroad station
Return to India, Part 10: The train to Pune, part 2: Sujitha by the window as a thin thread of her India flows by
Return to India, Part 11: On the train, part 3: Ganesh Ravi - Photographer: how we discovered his hidden talent
Return to India, Part 12: On the train, part 4: After dark
Return to India, Part 13: train ride, part 5: we click and clatter into Pune, take a perilous walk and step into a world beyond imagination
Return to India, Part 14: The groom his wedding suit; me in mine
Return to India, Part 15: A function to mark the final night Sujitha would spend with her family before the wedding
Return to India, Part 16: Inside the Biradar house: portrait of an elder woman - portrait of a young girl
Return to India, Part 17: We dine in the home of the groom's parents, then join in the Puja of Kalasha
Return to India, Part 18: Slideshow: Sujitha and Manoj at the wedding hall - Engagement and Haldi Night
Return to India, Part 19: The wedding band, in the visual style of Sgt. Pepper's (10 image slide show)
Return to India, Part 20: The groom rides a white horse to the temple, there is dancing in the street; Sujitha and Manoj are wed
Return to India, Part 21 - Benediction: Sujitha takes me to the sacred waters; fish dine - a crow flies
Saturday
Apr212012

Return to India, Part 10: The train to Pune, part 2: Sujitha by the window as a thin thread of her India flows by

 

 

 

 

 

 

 

 

 

 

Sujitha sits by the window on the train, watching a bit of India pass by...

...a stone fence... 

...overgrown, crumbling, stone fence...

...man and two structures that look to me to be some kind electrical boxes, plus trees...

...the fellow standing by the car looks like a cop to me... I'm not worried about getting a ticket, though... none of us are...

...this divided, six-lane, highway did not even exist the first time I came here in 2007...

...yes, she's talking to Manu again... that's brother Ganesh sitting beside her...

...a tall building, all by itself; apartments, it looks like to me - or maybe condominiums... back home, in Alaska, at this very moment, sled dog teams race down the Iditarod Trail...

...just like Bob Dylan used to always sing: "But right now I'll just sit here contentedly and watch the tracks flow... no matter what gets in the way and which way the wind does blow..."


...as the tracks continue to flow, Suji eats a cookie... called a "cracker..."

...thinking of something nice... it is nice just to be on this train... nice to be with Suji and family... seeing a sliver of India pass by...

...somebody across the aisle has caught her attention... maybe grampa Natarajan... a look of affection always seems to come to her when she looks at Natarajan...

 

 

 

Sujitha, riding the train to her wedding in Pune... more train ride pix coming... I was going to post every sequence before I went to bed, but that doesn't make any sense... traffic drops off to almost nothing in the overnight hours...

...this will put me one more day behind, but, oh well. It doesn't matter. It will get done and then it will be sitting here, in cyberspace, ready for any visitors who want to come and drop by, or to google the right word, and then stumble upon it.

 

 

 

Series index:

India series, part 1: With a little help from the Indian Air Force, I begin my India series without actually beginning it
Return to India, Part 2: Pain beneath the fan, a sprawling tree, monkey on a string; those I would soon join on a train ride; the garland
Return to India, Part 3: My Facebook friend, Ramz, her mischievous brother, her nationally recognized achiever mom, her dad at the wheel
India series, Part 4: When you overtake an elephant on the highway, be sure to pass on the right; birthday remembrance; In Wasilla, pass "oversize" on the left
Return to India, Part 5: I wander the cold, empty, streets of Bangalore
Return to India, Part 6: A cow, blessed and safe; Suji takes me to lunch, then goes out with Bhanu to do some wedding shopping
Return to India, Part 7-A: A three-snack outing as mother and daughter shop for Suji's wedding
Return to India, Part 7-B: On the painted holiday of the final full moon of winter, Sujitha and Kruthika go back to get a necklace
A spacer only - the Buddha and the glamour poster ad
Return to India, Part 8: henna, to highlight her beauty and deepen the love between bride and groom; a moment on the way to the train
Return to India, Part 9: A prayer and a blessing for Suji; we head for the train; three calls to Manu
Time for another spacer - the green man who showed up at the railroad station
Return to India, Part 10: The train to Pune, part 2: Sujitha by the window as a thin thread of her India flows by
Return to India, Part 11: On the train, part 3: Ganesh Ravi - Photographer: how we discovered his hidden talent
Return to India, Part 12: On the train, part 4: After dark
Return to India, Part 13: train ride, part 5: we click and clatter into Pune, take a perilous walk and step into a world beyond imagination
Return to India, Part 14: The groom his wedding suit; me in mine
Return to India, Part 15: A function to mark the final night Sujitha would spend with her family before the wedding
Return to India, Part 16: Inside the Biradar house: portrait of an elder woman - portrait of a young girl
Return to India, Part 17: We dine in the home of the groom's parents, then join in the Puja of Kalasha
Return to India, Part 18: Slideshow: Sujitha and Manoj at the wedding hall - Engagement and Haldi Night
Return to India, Part 19: The wedding band, in the visual style of Sgt. Pepper's (10 image slide show)
Return to India, Part 20: The groom rides a white horse to the temple, there is dancing in the street; Sujitha and Manoj are wed
Return to India, Part 21 - Benediction: Sujitha takes me to the sacred waters; fish dine - a crow flies
Friday
Apr202012

Return to India, Part 9: A prayer and a blessing for Suji; we head for the train; three calls to Manu

 

 

 

Just before we left to catch the train there was a very short blessing ceremony for Sujitha, in light of her upcoming wedding ceremony. The rest of us held flower petals and as she knelt before each of us in turn, we sprinkled the petals upon her.

In mainstream American culture, one does not kneel before another, but I was in India now, in the midst of Hindu culture and so I joined in and made a prayer for her in her own way. Even though I am not Hindu, or anything else but a questioner and wandering wonderer, for that matter, it was a real prayer and blessing - a prayer I felt in my heart and a blessing I gave with my soul.

I want her to have a good life and a good marriage with Manoj. This was my prayer for her and my blessing to her. I offered it and gave it by sprinkling flower petals upon as she kneeled, not in servitude but in respect, before me. It felt good to me. I know it felt good to her as well - we were both blessed.

My photo and the words I write here are a reiteration of this prayer/blessing. Each time a set of eyes looks upon this image and reads these words, the prayer is offered anew.

 

 

 

 

 

 

 

 

 

 

After the blessings, she received a hug from her aunt, Dr. Bhuvaneshwari.

Sujitha waves goodbye to neighbors from across the street, who stepped out of their doors to say goodbye just as she was leaving.

Now, the feeling inside the cab is all happiness, excitement and joy.

And then came that moment when she thought about her sister and best friend, Soundu, and how they had talked about and planned for this day and all the things that Sound was going to do make certain the day was special. This is maybe one second after the photo in the last post. The tear has traveled down her cheek. It can hardly be seen now, but it is there.

We traveled in two cabs. After we reach the station, as we stand in the shade of an awning beyond the reach of the hot, hard, sun that beats down beyond, Ravi withdraws the rupees he will need to pay the cab drivers. Ravi also paid my train fare, as well as the fares of his family members.

 

 

 

 

 

 

 

 

Porters take our bags to where we will board the Indian Railways train. Standing in the shade of still another awning, Suji reaches Manu on the phone.

Our train is running a bit behind schedule. Suji rests upon her father's knees as we wait.

Pretty soon, she is again talking to Manu on the phone.

She grooms the hair of her aunt "Bhuvana," a medical doctor, who will not be traveling with us on the train, but will come later by plane.

Our train pulls into the station.

We board - here, Ganesh, Vasanthi, Murthy, Natarajan and Suji.

Soon, Suji is back on the phone with Manu.

She and her grandfather exchange fond glances.

Suji glances at me through the mirror in the larger compartment across the aisle. An 18-hour train ride awaits us. Those who have followed this blog for awhile and know how I feel about trains will not be surprised to learn that I am... EXCITED... happy to be on this train, happy to be traveling with my Indian family. Just under five years ago, I did not even know they existed and now I am bonded with them.

It will take at least two more posts, maybe three, for me to cover this train ride and I think I had better also throw in at least one spacer at some point, maybe two. I am running way behind. I need to get this blog to Suji's wedding, pronto. So it is my intent to put up all of the train ride posts before I go to bed. Maybe I won't make it. Maybe I will have to wait and finish in the morning. I want to get it done, but I don't want to rush it, either.

Yet, I am rushing it. I could work on the larger story here for months yet, maybe a year. I suppose I will, too, but not in this blog. I must wrap this blog series up, very soon.

 

 

 

Series index:

India series, part 1: With a little help from the Indian Air Force, I begin my India series without actually beginning it
Return to India, Part 2: Pain beneath the fan, a sprawling tree, monkey on a string; those I would soon join on a train ride; the garland
Return to India, Part 3: My Facebook friend, Ramz, her mischievous brother, her nationally recognized achiever mom, her dad at the wheel
India series, Part 4: When you overtake an elephant on the highway, be sure to pass on the right; birthday remembrance; In Wasilla, pass "oversize" on the left
Return to India, Part 5: I wander the cold, empty, streets of Bangalore
Return to India, Part 6: A cow, blessed and safe; Suji takes me to lunch, then goes out with Bhanu to do some wedding shopping
Return to India, Part 7-A: A three-snack outing as mother and daughter shop for Suji's wedding
Return to India, Part 7-B: On the painted holiday of the final full moon of winter, Sujitha and Kruthika go back to get a necklace
A spacer only - the Buddha and the glamour poster ad
Return to India, Part 8: henna, to highlight her beauty and deepen the love between bride and groom; a moment on the way to the train
Return to India, Part 9: A prayer and a blessing for Suji; we head for the train; three calls to Manu
Time for another spacer - the green man who showed up at the railroad station
Return to India, Part 10: The train to Pune, part 2: Sujitha by the window as a thin thread of her India flows by
Return to India, Part 11: On the train, part 3: Ganesh Ravi - Photographer: how we discovered his hidden talent
Return to India, Part 12: On the train, part 4: After dark
Return to India, Part 13: train ride, part 5: we click and clatter into Pune, take a perilous walk and step into a world beyond imagination
Return to India, Part 14: The groom his wedding suit; me in mine
Return to India, Part 15: A function to mark the final night Sujitha would spend with her family before the wedding
Return to India, Part 16: Inside the Biradar house: portrait of an elder woman - portrait of a young girl
Return to India, Part 17: We dine in the home of the groom's parents, then join in the Puja of Kalasha
Return to India, Part 18: Slideshow: Sujitha and Manoj at the wedding hall - Engagement and Haldi Night
Return to India, Part 19: The wedding band, in the visual style of Sgt. Pepper's (10 image slide show)
Return to India, Part 20: The groom rides a white horse to the temple, there is dancing in the street; Sujitha and Manoj are wed
Return to India, Part 21 - Benediction: Sujitha takes me to the sacred waters; fish dine - a crow flies
Thursday
Apr192012

Return to India, Part 8: henna, to highlight her beauty and deepen the love between bride and groom; a moment on the way to the train

Come next morning, I got up just a little bit after six to discover the henna painting (mehandi) had already begun. According to my limited understanding, the application of the henna painting serves two purposes - to beautify the bride and to signify depth of love in the marriage. As the tattoo darkens, so too does the strength of love between the couple deepen.

The mehandi artist had started her work just below Suji's permanent tattoo, which also symbolizes depth of love - that of Sujitha for her late sister and her husband, and that between the couple whose portrait waits to be added into the frame of love tattooed into her skin for it.

Kruthika had shared Sujitha's bed through the night that has just come to an end - a bed that in the past was often shared by Suji and Soundu.

The design on the paper lying on the bed was drawn by Soundarya. Suji brought it to the session so that the artist could include its patterns in her work.

 

 

 

 

 

 

 

The session was expected to last for three hours. I knew that if I stayed in the room for the entire three hours, I would wind up with an overwhelming editing task, so I would shoot a few pictues and then leave the room and wander about for a spell.

The bride, of course, had no choice but to be present for every moment of the session. To help her through it, Ravi, her father, brought her a cup of very excellent coffee. I have been home now for close to four weeks and have not had a cup of good, South Indian coffee for longer than that, as we were about to leave South India.

I still miss it. Everyday I think about it. Everyday I want a cup of South Indian coffee. I can make it, too, and I have, but it doesn't turn out quite the same as when Bhanu or Vasanthi makes it.

On Suji's right hand: a portrait of the bride.

 

 

 

 

 

 

As the work progresses, Suji sips her coffee. As I have noted before, coffee cups in India are much smaller than here in the US. Coffee is often served in stainless steel cups with no handles. Still, if you hold the cup along the edge of the flange that flares out from the top of the cup, your fingers will be fine. You will not burn them.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Suji takes a break to check out the progress.

She returns to her place. Before starting in again, the artist surveys the work she has already done.

Dad could have used a little more sleep, but for his daughter he is happy to sacrifice.

Kru had briefly risen, but the hour was early and the need for sleep had not gone out of her. So back she came to get a little more.

The application of henna mixed with oil continues.

 

 

 

 

 

 

 

 

In time, Kru arose for the day. Soon she was up and outside, making the flour drawing that women place as a blessing in front of each Hindu house each morning.

Back inside, the artist has just outlines a portrait of the groom on Suji's left hand.

 

 

 

 

 

 

 

 

 

She returns to Suji's right arm to do some touch up work.

Then back to Sujitha's left arm.

On one of my trips outside the henna studio, Bhanu showed me an elephant puppet brought home by Soundarya. Bhanu animated the puppet and had it speak a sentence or two. To the far right is the portrait of Sandy draped with the garland. By now, I had spent four days in the house and still something in me resisted the message of the garland.

 

 

 

 

 

 

 

 

 

The artist works on Sujitha's ankles and feet.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bhanu brought out this portrait of Anil and Soundarya to show me. A narrow beam of light from the open door fell upon it. I did not pose Bhanu or ask her to stand in this, the one spot where the light would fall just right upon the portrait of the couple in such a way as to symbolize the light they brought into this world and the dark they left behind when they departed it.

She just happened to step into the one spot that would create such a true effect. Nor did I darken the background. In fact, I lightened it just a touch. Although I did not want to change the message in the picture at all, I felt a need to lighten the backdrop just a bit.

The henna is activated with squeezings from a fresh lemon.

The bride and groom, left and right - which is right and left. The henna cannot come off for a few hours. After it does, the pattern will be light, but will soon darken - just as the love between the couple is expected to deepen. 

 

 

 

 

 

 

 

Sujitha steps out the door to let the fresh air waft over over her newly painted arms, hands, ankles and feet. Oscar is there. If he is like most dogs I have known, he probably doesn't care much for the smell of lemon and has no appreciation of the art work or the significance of it, but is happy and delighted to see Suji.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ganesh slept through most of it, but now he is up, ready to get his shower and go to work - but first to admire the new art that now adorns his sister. Some viewers will undoubtedly notice that the time on this clock reads earlier than it does on the clock atop the bookcase in two earlier pictures, but the order is correct.

The other clock had stopped.

Now Suji must sit very still for awhile as the henna dries - but not for that long. Soon, she will board the train for Pune, to meet up with her groom and join him in the Hindu ceremony that will put the seal of their native faith upon the love that has long bound them together.

Sitting with her is her uncle, Krishna Kumar, who owns an internet cafe. Sandy would sometimes end a chat session with the announcement that her uncle was waiting for her to finish so he could close the cafe.

On the way to the train station, I noticed two of the gentlemen in the rickshaw traveling alongside of us gaze intently at Sujitha. I wondered what caught their eye? Was it her beauty? Was it something in her interaction with her aunt, Dr. Bhuvaneshwari, who recognized a moment of deep pain in her niece and so sought to comfort her?

Or was it the lone tear that slid from Sujitha's eye onto her cheek as she thought of the second of the two people with whom she had most wanted to share the joy of her upcoming wedding?

 

 

 

Series index:

India series, part 1: With a little help from the Indian Air Force, I begin my India series without actually beginning it
Return to India, Part 2: Pain beneath the fan, a sprawling tree, monkey on a string; those I would soon join on a train ride; the garland
Return to India, Part 3: My Facebook friend, Ramz, her mischievous brother, her nationally recognized achiever mom, her dad at the wheel
India series, Part 4: When you overtake an elephant on the highway, be sure to pass on the right; birthday remembrance; In Wasilla, pass "oversize" on the left
Return to India, Part 5: I wander the cold, empty, streets of Bangalore
Return to India, Part 6: A cow, blessed and safe; Suji takes me to lunch, then goes out with Bhanu to do some wedding shopping
Return to India, Part 7-A: A three-snack outing as mother and daughter shop for Suji's wedding
Return to India, Part 7-B: On the painted holiday of the final full moon of winter, Sujitha and Kruthika go back to get a necklace
A spacer only - the Buddha and the glamour poster ad
Return to India, Part 8: henna, to highlight her beauty and deepen the love between bride and groom; a moment on the way to the train
Return to India, Part 9: A prayer and a blessing for Suji; we head for the train; three calls to Manu
Time for another spacer - the green man who showed up at the railroad station
Return to India, Part 10: The train to Pune, part 2: Sujitha by the window as a thin thread of her India flows by
Return to India, Part 11: On the train, part 3: Ganesh Ravi - Photographer: how we discovered his hidden talent
Return to India, Part 12: On the train, part 4: After dark
Return to India, Part 13: train ride, part 5: we click and clatter into Pune, take a perilous walk and step into a world beyond imagination
Return to India, Part 14: The groom his wedding suit; me in mine
Return to India, Part 15: A function to mark the final night Sujitha would spend with her family before the wedding
Return to India, Part 16: Inside the Biradar house: portrait of an elder woman - portrait of a young girl
Return to India, Part 17: We dine in the home of the groom's parents, then join in the Puja of Kalasha
Return to India, Part 18: Slideshow: Sujitha and Manoj at the wedding hall - Engagement and Haldi Night
Return to India, Part 19: The wedding band, in the visual style of Sgt. Pepper's (10 image slide show)
Return to India, Part 20: The groom rides a white horse to the temple, there is dancing in the street; Sujitha and Manoj are wed
Return to India, Part 21 - Benediction: Sujitha takes me to the sacred waters; fish dine - a crow flies
Wednesday
Apr182012

Return to India, Part 7-B: On the painted holiday of the final full moon of winter, Sujitha and Kruthika go back to get a necklace

 

 

 

The next day, Sujitha's cousin Kruthika came by and then the three walked about two blocks to this spot to catch a ric. Suji still did not have her necklace. She had to have it. Maybe with Kru's help, she could make her choice.

Right after we reached the place about two blocks away where the rics waited, two painted young men came strolling by. It was Holi - a religious holiday celebrated on the day of the last full moon in winter. To say goodbye to winter (such as winter be) and welcome spring, participants splatter each other with color in giant paint fights. Holi originated in the north and is most heavily celebrated there, but the numbers of people in the south who participate in south Indian is steadily growing.

Rising above us all is the unfinished Metro, being constructed to ease the congestion of Bangalore and speed up the flow of people. Although I heard complaints about the pace of construction, I was astounded see how far the Metro has advanced since I was here in 2009. Similar metro trains are being built, with federal help, across India. I saw them in all the major cities we visited. India is moving forward.

I now have a great urge to do some editorializing about the situation in the US, but I will refrain.

On the way back to the necklace store, we passed by a now-deserted Holi gathering.

Back at the store, Suji and Kru studied necklaces as they climbed the steps into the jewelry store.

 

 

 

 

 

 

 

 

Upstairs, Suji laid a necklace against the saree she would need to wear a necklace with to see how it matched. It didn't quite make it.

So they looked at another. Suji decided to try it on.

 

 

 

 

 

 

 

 

 

Kruthika studied the necklace on Suji as Suji checked it out in the mirror. I saw nothing but beauty.

Kruthika took a close look at the necklace itself.

They looked at another....

...then laid it down to compare with still another...

 

 

 

 

 

 

They stepped away from the necklaces to think about them for awhile and Kru found a set of huge earrings. The two cousins - who, in their cultural way, are sisters - tried to imagine what someone who dared to wear them would look like.

They took a look as this hair clip, but rejected it.

Next, they turned their attention to reasonably-sized ear rings.

A salesboy laid out a whole new selection of necklaces before them.

Suji did, in fact, settle on a necklace. I will post the wedding probably Friday... no, more likely Saturday. If you come back, you can see for yourself what necklace she chose. When I was the age the salesboy appears to be, I had a paper route. Once I saved up enough money to buy a surf board, I did. Then I said "to hell with work" and went surfing.

Then they went downstairs to buy make-up and such. I was glad to see women working in the makeup store.

Suji then treated Kru and me to mango milk drinks. They were cold, and good. And yes, I joined the toast, too - but I had to get my picture first.

 

 

 

 

 

Lavith Goletcha, son of Hemanth, came in from celebrating Holi to the same refreshment shop to get a cold drink of his own - but he never woke up to drink it. 

We caught a ric and returned to the house. Suji's henna appointment was scheduled for 6:00 AM at the house. I don't remember what time we all settled down and went to bed, but it wasn't early. I was still jet-lagged and did not want to get up that early, but there was no way I was going to miss the henna painting.

Not long after the henna was done, we would board the train to Pune.

 

 

 

Series index:

India series, part 1: With a little help from the Indian Air Force, I begin my India series without actually beginning it
Return to India, Part 2: Pain beneath the fan, a sprawling tree, monkey on a string; those I would soon join on a train ride; the garland
Return to India, Part 3: My Facebook friend, Ramz, her mischievous brother, her nationally recognized achiever mom, her dad at the wheel
India series, Part 4: When you overtake an elephant on the highway, be sure to pass on the right; birthday remembrance; In Wasilla, pass "oversize" on the left
Return to India, Part 5: I wander the cold, empty, streets of Bangalore
Return to India, Part 6: A cow, blessed and safe; Suji takes me to lunch, then goes out with Bhanu to do some wedding shopping
Return to India, Part 7-A: A three-snack outing as mother and daughter shop for Suji's wedding
Return to India, Part 7-B: On the painted holiday of the final full moon of winter, Sujitha and Kruthika go back to get a necklace
A spacer only - the Buddha and the glamour poster ad
Return to India, Part 8: henna, to highlight her beauty and deepen the love between bride and groom; a moment on the way to the train
Return to India, Part 9: A prayer and a blessing for Suji; we head for the train; three calls to Manu
Time for another spacer - the green man who showed up at the railroad station
Return to India, Part 10: The train to Pune, part 2: Sujitha by the window as a thin thread of her India flows by
Return to India, Part 11: On the train, part 3: Ganesh Ravi - Photographer: how we discovered his hidden talent
Return to India, Part 12: On the train, part 4: After dark
Return to India, Part 13: train ride, part 5: we click and clatter into Pune, take a perilous walk and step into a world beyond imagination
Return to India, Part 14: The groom his wedding suit; me in mine
Return to India, Part 15: A function to mark the final night Sujitha would spend with her family before the wedding
Return to India, Part 16: Inside the Biradar house: portrait of an elder woman - portrait of a young girl
Return to India, Part 17: We dine in the home of the groom's parents, then join in the Puja of Kalasha
Return to India, Part 18: Slideshow: Sujitha and Manoj at the wedding hall - Engagement and Haldi Night
Return to India, Part 19: The wedding band, in the visual style of Sgt. Pepper's (10 image slide show)
Return to India, Part 20: The groom rides a white horse to the temple, there is dancing in the street; Sujitha and Manoj are wed
Return to India, Part 21 - Benediction: Sujitha takes me to the sacred waters; fish dine - a crow flies